Tickets to the two opening-week performances of House of Swans, Anne Imhof’s first solo show in Asia, sold out well before its September 25 premiere at Hong Kong’s Tai Kwun heritage and arts centre. That is partly due to the venue’s capacity of 150 visitors per show, but also because the German visual artist, choreographer and performer has a sizeable following across both the art and fashion worlds. At the 2017 Venice Biennale, her transformation of the German Pavilion, adding raised glass...
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